Reading for Writing Part 2

In my last post, I talked about how being a writer has limited my capacity as a reader. But I don’t want to give the impression that I don’t read any more. Far from it. I just find I have to be a lot more selective these days.

A small portion of the teetering to-read pile.
A small portion of the teetering to-read pile.

So what do I read and how do I prioritise? Well, here are some thoughts. In terms of priority, it’s roughly in order, but subject to change on the basis of necessity or whim.

1. I still read to my kids. I’ve put this first, because it happens almost every day, so it probably makes up the bulk of my fiction reading, even though it’s not technically for me. They’re 12 & 10 now, but they love being read to. Right now we’re reading Joan Aiken’s All But a Few. But we’ve worked our way through plenty of fabulous books. This is pure, unadulterated fun.

2. Books I really, really want to read. These are the ones that furnish the landscape of my imagination. These books have built the pantheon that I want to be a part of as a writer. They feed my muse and inspire me.

3. Books I want to read because they’re going to help me improve my craft. They might be beautifully written, or have an intriguing story premise, or won an award, or have caught the zeitgeist, or be somehow relevant to my own work.

4. Beta reading for friends. It might not be for leisure, but it’s reading fiction written by someone else and it certainly helps my own craft.

5. Non-fiction reading, usually for research, but sometimes for fun. Hell, the best research is fun.

6. Catching up on published work by friends. This is basically an impossible task now. But I do what I can.

And that’s it. That’s all I can fit in.

What I find interesting, now I’ve put that list together, is how all of it ties back, somehow, to supporting my own writing. It might just (just! *rolls eyes*) be reigniting my passion for stories and beautiful words, or it might be something more concrete, like learning more about a historical period, or how to construct a murder mystery. But I can’t not read without that writer part of my brain ticking over, hoarding the good stuff and putting squiggly red lines under the bad.

Which tells me, ultimately, that time spent reading is time well spent. Even though – or perhaps because – it’s rarer and more precious than it used to be.

Reading for Writing Part 1

I’ve had quite a literary week. On Monday I went to see the entertaining and debonair Joe Abercrombie talking about his new book, Half the World, at Harry Hartog’s (and what a beautiful Canberra bookshop that is.) I had the opportunity to chat to him before and after his talk; beforehand I quizzed him about the sex scenes he writes (!!!) and after the crowds had drifted off my CSFG buddies and I had a chance to chat to him about a bunch of things including the fantastic covers on his books.

Meeting Joe Abercrombie at Harry Hartog's
Meeting Joe Abercrombie at Harry Hartog’s (That’s me on the right, behind Shauna O’Meara. The rest of the CSFG crew, behind Joe, from left to right: Craig Cormick, Ross Hamilton, Tim Napper)

Then on Wednesday, we had our first general meeting of the CSFG for 2015, which my good friend Kimberly Gaal and I kicked off with a session on goal setting for writers.

How are these two things linked? Well, one question Joe was asked on Monday night was what is he reading now? His initial answer to this was interesting: he said “I don’t read anymore.”

I found this interesting because a quick Google search will throw back at you plenty of quotes from high profile writers telling aspiring authors that the one thing they must  do is read. But even so, this is not the first time I’ve heard a high-profile author say they just don’t read anymore.

Joe then went on to demonstrate that, actually, he does read (of course). But when he talked about reading, it was very clear that it’s not something he does for leisure these days. He reads a lot of non-fiction for research, and he indicated the fiction he reads now is mostly in genres other than what he writes (dark fantasy).

At our CSFG meeting on Monday, one of the things we talked about in relation to goal-setting, was doing a reading challenge as a useful way to expand our horizons, connect with readers, understand markets and feed the muse. (Here’s a great post from Elizabeth Fitzgerald over at Earl Grey Editing about reading challenges.)

This all got me thinking about what and why I read. I absolutely do not read anywhere near as much as I used to. I have no hesitation in saying it is one of life’s great pleasures. I was an inveterate bookworm as a child. I read Charlotte’s Web when I was six. I started reading the likes of Anne McCaffrey and Tanith Lee when I was about thirteen. I read and read and then I reread and reread again. In University, I wrangled my degree so that it was about 85% English Literature subjects. This meant I (was supposed to) read something in the order of thirty to forty books a year. I can’t say hand-on-heart that I did read that many, but I read most.

But now…

I find reading uses a similar part of my brain as writing. It also scratches a similar itch and fills in the same few spare hours. So for me, it’s often a choice. Read or write. Still, I definitely do read. I just have to be very selective. I’m also pretty brutal now about finishing books. If it’s not doing what I want it to do for me, I stop reading it. I do not have time to persevere with duds. I set aside one massively popular bestseller just recently because I could not stand either of the two main characters and I did not want to spend another minute in their company. If I decide I want to know how it ends (I’m not fussed right now, I don’t want either of them to prevail), I’ll go see the movie.

Having said all that, I do still read, and it is still one of my favourite ways to spend an hour. Or three. Or eight. Like most people who love books, I have a to-read pile that in its darker, more unstable moments could kill small children if it toppled over. So in my next blog post, I’ll talk about what and why I read, and how I prioritise that growing stack beside my bed. And the one on the bookcase. And the one beside the bookcase on the floor. And –

*sound of books falling*

*muffled screams for help*

The Never Never Land

knitting

How could this have slipped my mind? My only excuse is that I’ve been crafting a new story, so my brain has been very much off in another world entirely in the last couple of weeks.

On 3 February, the Canberra Speculative Fiction Guild announced the table of contents of their upcoming anthology The Never Never Land, and my story Adventure Socks is in it!

Congratulations to everyone involved. The lineup is fantastic, and includes a bunch of authors I’m very proud to sit alongside, as well as some new names.

I have to thank my fiddle teacher, the extraordinarily gifted artist Jacqueline Bradley, for the inspiration for this one. She makes sculpture using familiar objects in quirky, unexpected and thought provoking ways. While this story is not a direct response to any specific piece of hers, the idea behind it sprang from a conversation we had and feels to me like it has perhaps captured a tiny spark of the homely, whimsical spirit of her work.

So far so good

I’ve just finished the second draft of a new short story – my first for 2015. I got it done in time for the February session of my writing group’s short story critiquing circle, and they gave me some excellent and very positive feedback. Now I need to let it sit for a bit, and maybe get one more set of eyes to run over it before I start sending it out into the world to find its way.

It feels good to have a new short just about ready to go, because I’ve been focussing a lot on novel projects recently. These offer a whole other kind of gratification, but they really are the long game. It’s very easy to feel like your writing career is going nowhere while you chip away at your novel-sized wordcount, or navigate your way through the slog of trying to find an agent or a publisher. Also, just from the perspective of writing satisfaction, the great ideas you want to get down take a lot longer to realise in novel form than in short form. This one only took a few days to knock out the first draft.

Plus, even though my trunk is largely empty right now for all the right reasons, it’s not good for it to stay that way for long. It feels good to start filling it up again.

Now, usually I have a really clear recollection of where the inspiration came from for a story. Usually it’s an image. But for some reason, even though I only started writing it two weeks ago, my recollection of where this one sprang from has all got a bit muddy. I think it might have changed direction somewhere along the way, and now I can’t remember what kicked it off.

So, in lieu of my source inspiration, have a picture of some beautiful art from Jack Pine Studios. It may be relevant!

Iris blue hand blown glass egg, Jack Pine Studio
Iris blue hand blown glass egg, Jack Pine Studio on Etsy