Writing minds-eye candy

Today has been a good day. Today I have been working on a couple of scenes in my WIP involving a handsome 18th century man in various states of deshabille. It’s always important to get the details right, so here are a few helpful images I’ve been using for research and inspiration.

Firstly, you’ve got to get the clothes right. That gap at the neck of the shirt is very important. (We’ll get to what’s under it in a minute.)

Then you have to ensure you understand just how it sits. How far down does that gap go? Exactly what can you see? Some images are more helpful than others. Some are just pure distraction. *fans self*

From there, I’m afraid, we move straight to the pics of Aidan Turner and Sam Heughan shirtless. Because getting anatomy right is important. It is.

 

Things that make you go “Hmm…”

I’ve been doing a bit of trawling through Wikipedia today, building up a list of historical personages to use as extras in my current WIP. And I came across this lady:

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The Duchess of Leinster as painted by Sir Joshua Reynolds in the 1770s;  courtesy of Wikipedia

Emily Lennox was (according to Wikipedia) married to James Fitzgerald, the Earl of Kildare (and later Duke of Leinster), in 1747, when she was “almost 16”. That is, when she was FIFTEEN.

Apparently the marriage was a happy one.

Well, good. Because the couple had 18 children. That was not a typo. Here, I’ll write it out, just to make sure: eighteen.

Actually, there were 19 children “of the marriage”, but the last kid, born in 1773 was actually the son of the tutor of the Fitzgerald brood, one Mr William Ogilvie. When James Fitzgerald died, in November of 1773, Emily married Ogilvie the following year (which, understandably caused something of a sensation.)

She then went on to have THREE MORE CHILDREN with her new husband!

So that’s a total of 22 children. In an age where childbirth was absolutely a matter of life and death for the mother. No antibiotics. No blood transfusions. No safe surgical procedures. No anaesthetic.

Wow.

Sadly, and predictably, twelve of her children predeceased her. Of those, nine died by the age of 10. Her eldest child, George, died when he was 17 and two others died in adulthood.

Just one other interesting thing I noted concerning the difficulties posed by such an enormous amount of offspring: obviously finding suitable names posed a challenge. She had two daughters named Louisa, two named Charlotte and two named Caroline, as well as two sons called George (ironically, George and George were her eldest children by each of her two husbands.)

Inspiration from Miyazaki

miyazaki
(Picture links to the video – because I’m such a techno-numpty I can’t work out how to embed it.)

The video I’ve linked to above beautifully articulates what I feel about most of my own characters (male and female). I love the idea of them finding a ‘team mate’ rather than a saviour; a partnership neither of them can do without; someone with whom they make a whole that is more than the sum of its parts.

Beilby’s Ball

For anyone writing about or interested in Britain in the 18th and early 19th century, the 1811 Dictionary of the Vulgar Tongue: a dictionary of buckish slang, university wit and pickpocket eloquence, brought to you by Project Gutenberg, is an indispensable resource.

Here’s a little gem I came across today:

BEILBY’S BALL. He will dance at Beilby’s ball, where the sheriff pays the music; he will be hanged. Who Mr. Beilby was, or why that ceremony was so called, remains with the quadrature of the circle, the discovery of the philosopher’s stone, and divers other desiderata yet undiscovered.

Tyburn_gallows_1746

Map of Tyburn gallows and immediate surroundings, from John Rocque’s map of London, Westminster and Southwark (1746), courtesy of Wikipedia.

 

 

 

Adventures in the South

I’ve just come back from a week’s holiday in Hobart, Tasmania. I’d never been before, despite having a mother who is a confessed Tasmanophile and plenty of friends who have been telling me for years how much I’d love it. And I have to agree: Tasmania is a beautiful place and Hobart is a beautiful city. We based ourselves there for a week and did a few day trips, as well as taking a bit of time to soak up the city itself. Here are a few things that really stood out.

ningina tunapri

I’m going to mention this first, because while there are many wonderful things about Tasmania, I think it’s important to acknowledge the darkness and heartbreak in its colonial past. ningina tunapri is one of the permanent exhibitions in the Tasmanian Museum and Art Gallery that “explores the journey of Tasmanian Aboriginal people and is a celebration of all Tasmanian Aboriginal generations.” There are some genuinely inspiring and beautiful parts of this exhibition – the baskets woven from water iris were especially lovely. But I left in tears after reading through some of the atrocities early British colonists perpetrated on the Indigenous Tasmanian people, and of the heroism of those people. Importantly, this exhibition presents these stories in the words of the Aboriginal people themselves. I have so many thoughts on why this is important, which I might save for another time. But what has really stayed with me is how the grief and anger over those terrible events is something that is still here and will always be there. It can’t be fixed, but it must be respected. (In my mind respecting that hurt involves things like acknowledgement, empathy and demonstrating commitment to eradicating racial discrimination.)

Mount Wellington

2016-04-15 11.47.07Mount Wellington looms over the city of Hobart at 1000 metres above sea level. It is huge. We drove up it on the evening of our first day in Hobart, and again on the morning of our last day. It is one of the most awe-inspiring natural monuments I’ve ever encountered, and looking up at those crazy rocks above me, I can understand why things like that get worshipped as gods.

Driving up it at dusk, in the mist, we felt as though we were about to drive off the edge of the world. The road is narrow and winding, and the drop at the edges was terrifyingly sheer. Mt Wellington’s most impressive feature is this giant wall of vertical rock columns called the Organ Pipes, which are the result of cooled-down magma from ancient volcanic activity. They are enormous and simply astoundingly picturesque. Especially when you suddenly find them looming over you half way up the mountain.

20160410_174711The crazy rocks and sheer elevation of the summit makes it one of the eeriest places on Earth. The first evening when we went up, the wind was so strong, we could barely breathe, let alone stand still. It was almost impossible to hold the camera still enough to take photos. And, holy hell, it was cold. Our car said it was 5 degrees out. Apparently Mt Wellington often gets snow in summer.

We went back on our last day in Hobart and did a bushwalk along underneath the Organ Pipes, which was pretty challenging. A lot of the path crosses old rock falls, and it’s pretty rough. But, bleak as the landscape is, it is very lovely. And the air is crystal clear.

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The Huon River

This is a part of Tasmania I’d like to explore a bit more. The trees were huge, and the water in the river is this amazing mahogany colour from all the tannin in the leaves of the forest that fall into it.

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Hobart wharf

The harbourside at Hobart is a great place to wander around – during the day and at night – with all the old Georgian architecture and the fishing boats piled with lobster pots.

Sadly we concluded it was not lobster season, because we couldn’t find any places serving lobster.

Daci & Daci Bakery

There’s probably not much more I can say about this temple of deliciousness, other than to note we went there three times in the space of the six days we spent in that city.

It is absolutely the quintessential shop of treats, with its polished wood counter and tables, its gleaming glass displays filled with all manner of cakes and pastries, its gloriously mismatched tableware and the sheer array of sugar dusted, cream filled, fruit garnished, toffee glazed, chocolate coated delicacies. We can definitely recommend the chocolate eclairs, the creme brulee and the violet meringue.

The gin

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Tasmania is, apparently, known for producing quality booze. My partner spent a fair bit of time sampling the various whiskys the island has to offer. I’m not a whisky aficionado, but I am partial to a gin and tonic, and I’d heard good things about Tassie gins. On the left here is a gin and tonic made with Forty Spotted gin by Lark Distilleries. It is one of two I had the pleasure of sampling that are flavoured with native Tasmanian botanicals. The bartender at Lark made this G’n’T with a couple of Tasmanian native pepper berries and a curl of ruby grapefruit rind to bring out those flavours in the gin. It was delicious.

The talent

On our last night in Hobart, I caught up with fellow writer Chris Large for a drink at a cosy bar in Salamanca. We spent an hour or so yakking about writing and stuff over a glass of really excellent Tasmanian Merlot. I usually only see Chris when he comes up to Canberra for Conflux in October, so it was nice to be able to meet up on his home ground for a change.

The verdict?

I’m really keen to go back. Next time, maybe we’ll do a BnB hop around the island, instead of basing ourselves in one corner. Or possibly even one of those 3-4 day hikes through the wilderness (my other half only does glamping). There’s so much more to explore.

 

Awesome words: Amaranthine

Amaranthine: Unfading, everlasting, particularly in relation to a flower. From the Greek amarantos, undying, and anthos, flower.

Amaranth is the name given to a genus of summer flowering plants, most of which go by the (very) common name of pigweed. Now, there’s a step down for you.

It’s also the name of a purplish-red colour and a synthetic red food colouring ( E123), used in packet soups, cakemixes, etc.

Why do I love it? Well, I’m a sucker for a word with overtones of colour and I think I conflate the purplishness of this word with amethyst, which gives amaranthine a jewel-like quality in my mind. I also like the association this word has with the concept of a magical, undying flower.

Illustration_Amaranthus
Red-root Amaranth (A. retroflexus) – from Thomé, Flora von Deutschland, Österreich und der Schweiz 1885

How little girls deal with monsters

In celebration of the release of Strange Little Girls from Belladonna Publishing, I’ve put together a board on Pinterest with images I found useful in creating my story, “Pretty Jennie Greenteeth”. I have these boards for quite a few of my works-in-progress, but I usually keep them secret. This is the first one I’ve released. Click on the link below to head over to Pinterest to have a look.

Follow Leife’s board Pretty Jennie Greenteeth on Pinterest.

Pieris rapae
Pieris rapae (Johann Fournier)

 

All the Strange Little Girls

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I’m late, I’m late, for a very important date!

Hooray! As of 4 days ago Strange Little Girls is a real, live book you can hold in your hands (or on your kindle) and read and marvel over! For a little taste of exactly what is inside this treasure box of an anthology, head over to Belladonna Publishing for a delicious teaser of each of the stories.

I’m so in love with the cover art of this book, and the interior art is just as sumptuous. If you pick up a copy, I’d love to know what you think!

This.

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

It’s not just a useful reminder about what that spark is that tells us creatives we have something to offer the world, it also explains why we’re always trying harder, why we persist even when we haven’t quite measured up and…

…why, even when we haven’t necessarily hit the dizzying heights of perfection that are the standards we set for ourselves, we still have something to offer our friends, peers and colleagues in our field of creative endeavour that will help them improve as well.

The Museum of Broken Relationships

What a fascinating idea…

A new Museum of Broken Relationships will be opening in Los Angeles in May, and they are seeking donations of things that remind people of their once-broken hearts.

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It started as a collaborative project between two Croatian artists, Olinka Vištica and Dražen Grubišić, after the end of their four-year relationship.

You can read more about a selection of the objects it contains here.

The stories it would hold…!