Aurealis #74: out now!

Aurealis #74 is now available, and includes my new story, Music for an Ivory Violin.

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Here’s what they have to say about this issue:

In this issue we feature Imogen Cassidy’s ‘Soul Partner’, an urban fantasy gumshoe pastiche with some original touches, and Leife Shallcross’ creepy and engrossing ‘Music for an Ivory Violin’. Chris Large brings some thoughtful silliness with his ‘When a Jedi Should Think Twice About Bringing a Knife to a Gunfight’, and Stephen Higgins continues his SF’s Sacred Cows with Asimov’s Foundation.

I hope you enjoy it!

New story! With bonus review!

2014 started with a bit of a bang for me, with three story sales fairly early on. The first of these is about to be published in the latest Peggy Bright Books anthology, Use Only As Directed, edited by Simon Petrie and Edwina Harvey. It will be launched in June at Continuum in Melbourne. (You can see the intriguing cover art by Lewis Morely below)

In it is my latest story, The Blue Djinn’s Wish! I’m excited about it because I love this story and I’m thrilled it’s finally out there in the world. But wait, there’s more! The first review is up, it’s very favourable…and my little tale got a mention.

 The Blue Djinn’s Wish by Leife Shallcross was a gentle story of a djinn and a young girl granted the traditional three wishes. However what comes of that is far from traditional – and a terrific riff on an old tale.

This is the my first review ever, and what a lovely one it is. Thank you, Steve Johnson. I’ve now got my e-copy of the book, and am looking forward to reading what the other authors have on offer. I’m in quality company, so my expectations are high!

Use Only As Directed

Unpicking the seems

260 pages in to a final polish edit before sending novel project #1 out into the big wide world, and I have already removed 63 instances of variations of the word “seems”. Seemingly, I seem to use it a lot, it seems.

Ugh, the shame.

*Update: from 552 pages & 118,000 words, I deleted 152 instances of variations of the word ‘seems’. I had no idea. An example, if ever there was one, of the value of beta readers. Thank you Jane Ainslie.

Success! I think… Oh God..

23 Goats Who Cannot Believe They're Really Goats

This is me, yesterday, after receiving an email about a short story I subbed a few weeks ago. I didn’t respond to the email straight away, because I knew I’d say something breathless and idiotic and completely unprofessional. Instead, I went out and bought a bottle of something with bubbles, because this would be my first sale outside the token market.

When I got home, I checked out the website for the publication and saw the names of some of the other contributors. There were names on that list I recognised. I have their books on my shelves. They’ve won serious awards. I spent about 2 seconds completely flipping out.

Then came the crash. Do they really want my story? I re-checked the email. Yep. The phrase ‘loved it’ appears three times. Really?  Instead of going back into happy baby goat mode, my traitor brain started throwing up scenarios where the editors ask for changes and I completely fail to come up with the goods, instead becoming mired in an inescapable swamp of trite cliches and substandard prose. Or where they re-read it in the sober light of day and realise, actually, just…no. Instead of feeling empowered and validated, I started picturing myself as a wide-eyed, amateurish wannabe, lost in a wilderness of unrealistic expectations and about to walk unsuspectingly over the precipice of crushing disappointment.

And I think that’s the thing. The disappointment of a standard rejection letter is one thing to deal with. Every writer pretty much steels themselves for that each and every time they send out a story or a query letter. But to be rejected from something like this opportunity, after having success dangled so tantalisingly in front of me… That would be disappointment levelled up some.

We’re writers. We have big imaginations. We gird our loins against rejection, but we can’t help ourselves imagining the success. I saw the names on the contributors list, and for a small, flashing moment, I saw my name in a TOC alongside them. Then my imagination did a total reverse, and started constructing a scenario where I wind up looking at an email saying “We appreciate all your effort, but we’ve decided it’s not going to work out.” After I’ve invested all this energy imagining that awesome TOC.

So I’m giving myself a stern pep-talk. They loved my story. That’s a good thing. They want it for this project, alongside a bunch of certified, genuine, awesome authors. They think it will stand up OK against their work. That’s a good  thing. And if, for some reason, it doesn’t work out? That’s actually OK too, because I will still have a solid story I can sub elsewhere. And let’s face it, when I subbed this one, I’d pretty much set my top expectation (wild imaginings aside) at maybe a nice rejection saying, “Not this time, but we’d like to see more.”

Deep breath. I can do this. Time to release my inner super-happy baby goat.

The motivations of ghosts

Recently, I wrote a ghost story. I sent it off to some writerly friends for feedback, every single one of whom came back to me saying, ‘Well, from this point on it was clear it was going to end in ghostly revenge.’ Which, obviously, was a bit of a problem I had to address in the rewrite (hopefully I have). However, it also led me to thinking on the motivations of ghosts. My initial reaction to the feedback (apart from Argh, how do I fix this?) was, well, what else do ghosts want?

Ghostie 8

After thinking about it for a while, I decided it could be any number of things, actually. Thinking over the ghost stories I remember, it seemed to come down to the reason why the ghost was…well, a ghost. So, in the interests of adding a bit of diversity to my characters next time I attempt a ghost story, here are the things that I came up with that might reasonably motivate a ghost.

1. Revenge

Due to something to do with the manner of the person’s death, their ghost is now seeking revenge. Outright murder is an obvious one, but perhaps their persecutor made them miserable and drove them to suicide, or framed them for a crime that carried a sentence of death, or was somehow negligent, with fatal results.

One of my favourite ghostly revenge stories is that of Pearlin Jeanne, who haunted her faithless lover’s stately home at Allanbank in Scotland. She was killed in Paris when she tried to prevent her Scottish lover leaving her by climbing onto the wheel of the coach he was absconding in. He ordered the coachman to ‘Drive on!’ She fell and her head was crushed under the wheel. Her dying threat was that she would always come between her lover and any woman he married. From that day, Allanbank was troubled by the apparition of a young woman in a bloodied pearlin lace veil…until someone came up with the ingenious solution of hanging a picture of her between the portraits of the baronet and his wife.

2. Justice

This is possibly another version of ‘Revenge’. I suspect that the vengeful ghosts are likely to be the ones that wouldn’t normally have recourse to any other avenue of justice. So the justice-seeking ghosts must have a level of confidence in some sort of earthly authority to deliver retribution for them.

3. Closure

The timing or manner of the ghost’s death left something important undone. Something the ghost is determined to complete. There are some great stories about ghosts who knew something, but never communicated it to the person who needed to know it in life, so come back just for this purpose. Often it’s the location of the family fortune or some other treasure. But, then there are tales like Joan Aiken’s ‘The Ghostly Governess’ from All but a few (one of my all-time favourite childhood reads), in which a rather sweet, if slightly autocratic, governess is unable to rest until she is satisfied that she has taught her students the things they are supposed to know.

4. Warning

The ghost is compelled to return either to warn someone about something similar to what happened to them, or to save a loved one or descendant in peril. Like the young woman whose death somehow resulted from her giving in to the amorous advances of a local rake. Her ghost then developed the disconcerting habit of appearing before other maidens who were on the point of making the same mistake. I really hope, for equity’s sake, that she made some effort to haunt the guy who caused her death, but I don’t remember that being part of the story.

5. To fulfill a promise

This is an interesting one. It could be the ghost’s determination to make good on their word that has kept them around. But, it could also conceivably be the power of the promise itself that has called them back.

6. Can’t let go

There’s probably a few reasons here that fit under the category of ‘can’t let go’, but sometimes there’s no other reason, other than life is good, death is unknown, so why not hang onto what semblance of life you can, while you can? Or maybe they’re just so enraged at the thought of having died, they’d rather share the misery by hanging around and venting their anger on the living. Or, maybe, there is something, some person or object, that their affections and energies were so bound up in, that they just can’t bear to leave it and move on. Like this fantastic story from Yorkshire in the UK about a young woman who died just  as her family’s grand, new, stately home was nearing completion. Distraught that she would never see it finished, she made her grieving family promise to cut off her head and keep it in the house so that she might watch over it. When they buried her (whole) in the churchyard, the house was beset by all manner of ghostly annoyances until they relented and finally brought her head inside (ew!)

Then, of course, there are the ones that don’t seem to realise that they are ghosts, so they don’t know that they have to let go.

7.  They’ve been called

There are plenty of stories of people who have passed on perfectly peacefully, yet are disturbed in their rest by thoughtless individuals who seek to reawaken them for their own purposes. If you’re going to go around raising happily slumbering spirits, the consequences are on your own head.

8. They’ve lost their way

I suppose this is centred on the idea that there is some sort of journey for the ‘soul’ to make after death to whatever place it is that souls go, and some of those souls get distracted or lost en route.

9. They know where they’re headed, and they don’t want to go

There are also stories of ghosts who know exactly what’s in store for them after death, so they do what they can to avoid that well-deserved fate. Like the blackguard lord who died unrepentant, and whose unquiet spirit then went and stuck his head through the stained glass window of the local church in order to thwart the devil’s attempts to collect his blackened soul, on the basis that once he was on hallowed ground, the old goat couldn’t touch him.

10. Psychic shock

Perhaps the manner of the person’s death was so sudden, or shocking, or violent, or tragic, that it caused some kind of psychic shock. These are the kinds of ghosts who don’t seem to have any attention to spare for the world of the living; they’re simply too caught up in endlessly reliving their own last moments.

I once read an account of a place in Britain that was supposedly haunted by a legion of ghostly Roman soldiers, who would march through a basement over the ancient remains of a Roman road. I always wondered why it would be the whole lot of them at once. Maybe they were off to some battle that went badly for them, and this was some sad remnant of their final march.

So there you go. There’s a bunch of motivations for ghostly characters that I’ve come up with. What do you reckon? What have I missed?

7 line challenge

Toadstool
Toadstool

So, my good friend Chris Andrews has tagged me in the 7 line challenge.

The 7 line challenge goes like this: you go to page 7 (or page 77, just to give you a bit of choice) of your manuscript, go down 7 lines, then put the next 7 lines of text onto your blog. You then tag 7 people to do the same (I expect that might be a challenge…)

My 7 line challenge teaser comes from the manuscript I’m currently finishing off, with a working title of ‘Jack’. See if you can guess why.

‘I name you Jack,’ she whispers, and all the folk of the forest grow still and silent, lest one drop of one word escape their furred and pointed ears.

‘For all faerie hosts must have a Jack, a Jack who knows their secrets, a Jack who lives among them, a Jack who plays among them, and stays among them. A Jack whose heart is yet mortal and will never find satisfaction but from among his mortal kin. And Jack you shall be, and strong and hale and brave, all these I give you. And even more, Jack, you shall be lucky. I give you the luck of the faerie folk and may it be your best companion.’

Let’s see if I can find 7 people to tag now…

Ay up, first tag is Simon Petrie, sometime editor of Andromeda Spaceways Inflight Magazine! Wonder what he will have to offer…? Find out here.