Today I’m writing a scene set inside an upmarket 18th Century London brothel. So I’ve been poring over Google images, trying to determine…




…what kind of floor coverings to have.
Probably carpet.
Today I’m writing a scene set inside an upmarket 18th Century London brothel. So I’ve been poring over Google images, trying to determine…




…what kind of floor coverings to have.
Probably carpet.
Full disclosure – I totally nominated Sam, coz she’s lovely and will do a great job. My good friend Donna Hanson has also been nominated as well, and if you’re voting, either of these lovely people will make a great job of it.
Congrats to all the shortlisted authors!

We are delighted to reveal the 2016 ACT Writing and Publishing Awards shortlist. The announcement of the winners will take place at 6pm Thursday 15 December in Canberra Contemporary Art Space at Gorman Arts Centre. More details about the event can be found here.
This year, we are also pleased to welcome the Minister for the Arts and Community Events, Gordon Ramsay, who will be announcing the winners of the 2016 ACT Book of the Year Award. The shortlist for this award was released at the Canberra Writers Festival in August.
Jackie French, illustrated by Peter Bray, Horace the Baker’s Horse
Stephanie Owen Reeder, Lennie the Legend: Solo to Sydney by Pony
Tania McCartney, illustrated by Christina Booth, This is Captain Cook
L.J.M. Owen, Olmec Obituary
Edited by Tansy Rayner Roberts & Tehani Wessely, Cranky Ladies of History
Shane W. Smith, Undad
P.S…
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Here’s a thing I’ve been waiting to announce for a couple of weeks now…
Noted Writers Festival has just announced its production team and look who’s on it! Oh, wait, that’s me!
I’ll be filling the position of Creative Producer – Professional Development.
I’ve loved working on Conflux so much, I thought I’d try and get involved with some other writing festivals and – Voila! They said yes!
I am a bit excited about this.
Now I have something like 90 artist applications to sift through to help decide who we’re going to feature. Wish me luck (and maybe see you there in March 2017?)
Cheers!
I’ve had this song stuck in my head for the last couple of days.
I love the bluesy guitar, and the lyrics of the chorus are just perfect for channelling one of the POV characters in my current WIP at the moment.
Take me to church
I’ll worship like a dog at the shrine of your lies
I’ll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life
This WIP is sitting on about 94,000 words and I’m pretty much committed to getting it done by the end of the year. Wish me luck. I’m almost there.

Hooray! My new story Breathing is out today in Aurealis #95. This one is science fiction, which is a bit unusual for me. I’m still figuring out how to describe it.
This is one of those stories that grew out of my response to a song. I’ve got a few like this. I often find my way into a story through the mood generated by music, or an evocative lyric. I’m a particular fan of using crazy word associations through misheard lyrics (or mondegreens) to spark my creativity.
In the case of Breathing, though, I was caught by the lonely mood of the music and one particularly powerful lyric in the song Hello, by Evanescence:
Has no one told you she’s not breathing?
That line is intriguing. It is rich with unacknowledged tragedy and cruel revelation.
I’ve since found out there is a sad story behind Hello: it was written by the multi-talented Evanescence frontwoman, Amy Lee, about an early tragedy in her life. But I didn’t know that when I wrote Breathing.
I won’t say any more (spoilers!), but if you read the story, let me know what you think!
I love this word. It has so much story at its heart! At a basic level it means clumsy or awkward, but because it is a word that defines itself by the absence of a characteristic, it becomes so much more. It’s almost accusatory.
And “grace” is such a complex word, too. It doesn’t just mean “elegance” (of form, motion and manner), but can also refer to being in a state of favour or having been extended mercy. So to be “graceless” is not just to be awkward, but there are also overtones of having fallen into disfavour and being denied clemency. Pitiable indeed!
Furthermore, there are also some nice ecclesiastical overtones from “being in a state of grace”, which call up echos of a deeper fall into ignominy.
Favourite use of the word “graceless”… In the inimitable Florence & the Machine’s Shake It Out.
And it’s hard to dance with the devil on your back
So shake him off.
And I am done with my graceless heart
So tonight I’m gonna cut it out and then restart.
This year at Conflux we decided to do something a bit different with the writing workshops and run them throughout the weekend instead of all on the first day (Friday), which is how we’ve done it previously. One thing I found is – probably due to the interactive nature of workshops – these are a really good forum to hook up with other people at the convention. I managed to get in three workshops. (Although one was in two parts and probably counts as two.)
I’d asked Alan Baxter to run a version of his Write the Fight Right workshop, mostly because I’d never done it and I really wanted to. (A perk of being in charge of programming!) It’s usually a whole day, so he did a condensed version of it over two hours. It’s great, I highly recommend it and I’d love to do the full version one day. It covers stuff like what it feels like to be punched in the face, the physiological effects of fighting (far more complex than you’d expect), how to use space and even some handy first aid advice. As you’d expect he provides plenty of anecdotes and stories from his own life experience and even pointed us at a few clips of fights to give us a sense of the difference between cinematic show and what a real fight might look like. Hint: the fight between Darcy (Colin Firth) and Cleaver (Hugh Grant) in Bridget Jones’ Diary is more realistic than you might think (quintessential smashing-through-shop-window scene notwithstanding).

I did a two part workshop conducted by Kaaron Warren and Nick Evans called Spray and Wipe. This involved a trip to the Green Shed (a store that sells recycled items donated through Canberra’s tips), where we had to choose an item from the shop as an inspiration point for a story. Kaaron then took us around to the Green Shed Underground (a separate store run by the Green Shed where they sell all their donated books and clothing) and made us choose an outfit for one of our characters and dress in it to write the story.
I decided to have a stab at generating an idea for something for my suite of colour-themed stories I want to begin work on soon, and picked out a very orange biscuit tin to start with. This got coupled with a really terrible orange mumu-style shirt and some fairly tacky orange jewellery. It was when I happened upon some great 1970s cookbooks with predominantly orange covers, however, that my story brain kicked in and an idea really came together.
After that, it was back to the con venue and in the afternoon Nick Evans, a journalist by trade, put us through a fairly brutal regime of cutting, rewriting and reworking the 400 odd words we’d got down in the morning with Kaaron. I was completely exhausted at the end of it, but I definitely have the beginning of a story and I’m pretty sure I know where this one is headed!
Finally, on Monday, I did a workshop with life coach Kenny Snable on overcoming negative thoughts to increase writing productivity. This one was great. She took us through the relationship between thoughts, behaviours and emotions and gave us a bunch of strategies to manage the negative ones, and some exercises to help identify and articulate what the actual issue is that is causing us grief.
And this is only a small selection of the smorgasbord of professional development that was on offer this year!

Conflux is over for another year, and once again I’m looking back on it through the golden glow of a post-con high. We were incredibly lucky in our Guest of Honour and MC lineup this year, being David Farland, Alan Baxter and Sean Williams respectively.
Sean came along to Conflux 11 last year and his frank discussion about how he manages his RSI made the Paying For Our Passion panel (inspired by David McDonald’s blog series of the same name) one of the standout sessions of the con. He spent September 2016 as the eminent writer in residence at the ACT Writers Centre, so us Canberra folk have been lucky to see a lot of him recently, including a Guest Author session for the CSFG and a session on his 10 1/2 commandments of writing at Old Parliament House last week. We jumped at the opportunity to have him on board for Conflux 12 and he didn’t disappoint. In his typically warm, funny and approachable style, he set the tone for an exceptionally convivial con.
We had the privilege of featuring David Farland in his first trip out to Australia in something like 15 years. He was really something special, providing a feast of stories, knowledge and industry insight. His contribution to our Breaking the US & UK markets panel was a particular highlight of the convention. And getting to hear more stories and ask him questions at his kaffeeklatsch session on Monday afternoon was a personal highlight for me.
Alan Baxter was our Australian Guest of Honour this year. He ran a condensed version of his Write the Fight Right workshop for us, in which he draws on his background as a Kung Fu instructor, and provided a fascinating running commentary on the Lion Dancers that came along on Friday night to open the con. Alan launched his new collection of short stories, Crow Shine, from Ticonderoga, on Saturday evening, complete with Crow Shine moonshine (not for the kiddies, but then neither is his book).
Being on the con organising committee I don’t get to go to as many panels and sessions as I’d like to. But those I did get to were great and I heard good things about the others. What stands out for me, though, at each and every Conflux I go to, is the people. Each year I hook up with old friends and make new connections and it’s these relationships that are really the root cause of that lovely golden post-con glow. I just meet such great people at Conflux. Lucky for me and my dodgy phone camera, Cat Sparks takes great photos of people. Here are a small selection of her pics that make me happy.
Whilst I didn’t manage to attend many panels, I did manage to get to a few workshops, so I’ll cover those in my next post. But to finish off, here’s a pic of the gorgeous cover art Shauna O’Meara did for the con magazine (she did the Red Fire Monkey logo at the top of the page, too!)
